Animation Movie Zootopia Story And Information

Animation Movie Zootopia Story And Information

Zootopia (titled Zootropolis or Zoomania in various regions) is a 2016 American animated buddy cop action comedy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. It was directed by Byron Howard and Rich Moore, co-directed by Jared Bush (in his feature directorial debut), and produced by Clark Spencer, from a screenplay written by Bush and Phil Johnston, and a story by Howard, Moore, Bush, Johnston, Jim Reardon, Josie Trinidad, and Jennifer Lee. The film stars the voices of Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence, Bonnie Hunt, Don Lake, Tommy Chong, J. K. Simmons, Octavia Spencer, Alan Tudyk, and Shakira. Taking place in the titular city where anthropomorphic mammals coexist, it tells a story of an unlikely partnership between a rabbit police officer and a red fox con artist as they uncover a criminal conspiracy involving the disappearance of predators.

Zootopia premiered at the Brussels Animation Film Festival in Belgium on February 13, 2016, and went into general theatrical release in Disney Digital 3-D, RealD 3D, IMAX 3D, and 4DX formats in the United States on March 4. Zootopia received positive reviews from critics, who praised its screenplay, animation, voice acting, subject matter, and Michael Giacchino's musical score. The film opened to record-breaking box offices in several countries, and earned a worldwide gross of over $1 billion, making it the fourth-highest-grossing film of 2016. Among other accolades, the film was named one of the top ten best films of 2016 by the American Film Institute and won Best Animated Feature at the 89th Academy Awards. A television spin-off series, Zootopia+, premiered on Disney+ on November 9, 2022. A sequel is in development.

Judy Hopps, a rabbit from rural Bunnyburrow, fulfils her childhood dream of becoming the first rabbit police officer in the urban city of Zootopia. Despite being the academy valedictorian, Judy is assigned to parking duty by ZPD Chief Bogo.

On her first day on the job, Judy is hustled by a con artist fox duo, Nick Wilde and Finnick. The next day, she abandons her post to arrest small-time crook Duke Weaselton for stealing a bag of Midnicampum holicithias crocus bulbs. While being reprimanded by Bogo, Mrs. Otterton unexpectedly barges into his office, pleading for someone to find her husband Emmitt, one of fourteen missing predators. Judy volunteers, and the city's assistant mayor, a sheep named Dawn Bellwether, praises the assignment. Bogo has no choice but to agree, but secretly orders Judy to resign if she fails after forty-eight hours.

Having ascertained that Nick was the last to see Emmitt, Judy forces him to help her by covertly recording his confession to tax evasion on her carrot pen. They track Emmitt's belongings to a limousine owned by crime boss Mr. Big, an arctic shrew whom Nick has a history with. Mr. Big reveals that Emmitt suddenly went "savage" and attacked Mr. Big's chauffeur Manchas, a black jaguar.

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Upon interrogation, Manchas explains that, prior to attacking him, Emmitt yelled about "Night Howlers". Manchas then turns savage himself, chasing the pair. Judy traps Manchas and calls the ZPD for help, but Manchas vanishes before they arrive. Bogo demands Judy's resignation, but Nick reminds Bogo that she still has ten hours remaining. While leaving the scene, Nick reveals to Judy that he became a con artist because, as a child, he tried to join the Junior Ranger Scouts, but was bullied and rejected simply for being a fox.

At City Hall, Bellwether offers Judy and Nick access to Zootopia's traffic cameras. They discover Manchas was taken by timberwolves, whom Judy surmises are the "Night Howlers". Following the wolves, the duo locates Emmitt, Manchas, and the other missing predators, who are all "savage" and imprisoned in a hidden asylum. Zootopia's mayor, Leodore Lionheart, ordered their capture, and is trying to quietly ascertain the cause of their feral behavior. Lionheart and the asylum staff are soon arrested for false imprisonment, and Bellwether becomes the new mayor.

Judy, praised for solving the case, asks Nick to join the ZPD as her partner, but he angrily abandons her after a reporter sheep manipulates her into saying predatory biology is behind the mysterious "savageness" epidemic. Judy's comments, broadcast on television, incite fear and discrimination against predators throughout Zootopia. Wracked with guilt, Judy quits her job and returns to Bunnyburrow.

While managing her parents' vegetable stand, Judy learns that "Night Howlers" are actually Midnicampum flowers, which have severe, lasting psychotropic effects if ingested. Realizing that someone is deliberately using the flowers to turn predators savage, Judy returns to Zootopia and reconciles with Nick. Aided by Mr. Big, they interrogate Weaselton, who admits he was hired by a ram named Doug to steal the Night Howler bulbs. They find Doug in a laboratory hidden in the city subway, where he manufactures a Night Howler serum to be shot at predators via a dart pistol. Judy and Nick obtain a serum gun as evidence, but before they can reach the ZPD, Bellwether confronts them in the Natural History Museum, revealing herself to have masterminded this prey-supremacist conspiracy. The duo become trapped in an exhibit, and Bellwether shoots Nick with the serum gun in an attempt to have him kill Judy, only to find Judy had replaced the darts with blueberries. Judy records Bellwether's confession with the carrot pen, just as the ZPD arrives in answer to Bellwether's summons.

Bellwether and her accomplices are arrested for their crimes, while the still-imprisoned Lionheart publicly denies knowledge of her plot, and insists that imprisoning the infected predators was a "wrong thing for the right reason". With the cause of the epidemic identified, the predators are cured, and Judy is reinstated into the ZPD. Months later, Nick graduates from the police academy, becoming her partner and the first fox police officer.

Ginnifer Goodwin as Judy Hopps, a young optimistic rabbit from Bunnyburrow and a newly appointed member of the Zootopia Police Department, assigned to the 1st Precinct.

Della Saba voices a younger Judy Hopps.

Jason Bateman as Nick Wilde, a sly red fox who is a small-time con artist.

Kath Soucie voices a younger Nick Wilde.

Idris Elba as Chief Bogo, an African buffalo who is the police chief of the Zootopia Police Department's 1st Precinct.

Jenny Slate as Dawn Bellwether, a diminutive sheep who is the assistant mayor of Zootopia.

Nate Torrence as Benjamin Clawhauser, an obese cheetah who works as a dispatcher and desk sergeant for the Zootopia Police Department's 1st Precinct.

Bonnie Hunt as Bonnie Hopps, a rabbit from Bunnyburrow who is Judy's mother.

Don Lake as Stu Hopps, a rabbit from Bunnyburrow who is Judy's father and a carrot farmer.

Tommy Chong as Yax, a laid-back domestic yak who owns the naturist club Mystic Springs Oasis in Sahara Square.

J. K. Simmons as Mayor Lionheart, a lion who is the noble, but pompous Mayor of Zootopia.

Octavia Spencer as Mrs. Otterton, a concerned North American river otter whose husband Emmitt has gone missing.

Alan Tudyk as Duke Weaselton, a small-time least weasel crook also known for selling bootleg DVDs. The name references the Duke of Weselton from Frozen, whom Tudyk also voices.

Shakira as Gazelle, a Thomson's gazelle who is a famous pop star. Shakira also voices Gazelle in the Spain and Latin America Spanish dubs.

Raymond S. Persi as Flash, the "fastest" three-toed sloth in the DMV (short for Department of Mammal Vehicles).

Persi also voices Officer Higgins, a hippopotamus who is an elite member of the Zootopia Police Department's 1st Precinct.

Maurice LaMarche as Mr. Big, an Arctic shrew who is the most fearsome crime boss in Tundratown and is served by a group of polar bears.

Phil Johnston as Gideon Grey, a red fox from Bunnyburrow who used to bully the young rabbits and sheep when he was young. As an adult, he has reconciled with those he tormented and became a much-respected baker.

Johnston also voices an angry offscreen character who states that his taxes pay Judy's salary after she gives him a parking ticket.

Fuschia! as Major Friedkin, a polar bear who works at the Zootopia Police Academy as a drill instructor.

John DiMaggio as Jerry Jumbeaux Jr., an ill-tempered African elephant who owns an ice cream parlor called Jumbeaux's Café, frequented by elephants and other larger mammals.

DiMaggio also voices Woolter and Jesse (a pun on the show Breaking Bad's main protagonists, Walter White and Jesse Pinkman), two tough rams who are Doug's assistants; a moose that gets a parking ticket from Judy; and a pig reporter.

Katie Lowes as Dr. Madge Honey Badger, a honey badger scientist who helps Mayor Lionheart look for the cause of the animals' savagery.

Gita Reddy as Nangi, an Indian elephant who works as a yoga instructor at Mystic Springs Oasis.

Jesse Corti as Manchas, a black jaguar from Zootopia's Rainforest District who is a chauffeur for Zootopia's biggest limo company and is the personal chauffeur to Mr. Big.

Tom Lister Jr. as Finnick, a fennec fox who is Nick's partner in crime.

Josh Dallas as an unnamed domestic pig who frantically asks Judy for help after his "Flora and Fauna" flower shop is robbed by Duke Weaselton. He later appears as a protester at Gazelle's peace rally arguing with a female leopard.

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Leah Latham as Fru Fru, an arctic shrew and Mr. Big's daughter who befriends Judy after Judy saves her from a runaway Donut sign in Little Rodentia. She also makes Judy the Godmother and namesake of her daughter.

Rich Moore as Doug, an emotionless ram chemist and sniper who works for Bellwether.

Moore also voices Larry, a gray wolf that is a security guard at Cliffside Asylum.

Fabienne Rawley and Peter Mansbridge as Fabienne Growley and Peter Moosebridge, the snow leopard and moose anchors of the ZNN News.

The moose co-anchor is used in the standard version of the film, released in the United States, Italy, France, Canada, Russia, Philippines, and Mexico. In the UK version, the moose is named as Moosos Alexander, voiced by radio journalist Vassos Alexander (though the UK home release used his US name and voice). In other countries, the anchor is a different animal voiced by a different person. David Campbell voices a koala newscaster named David Koalabell in the Australian and New Zealand versions. The Brazilian version uses a jaguar named Onçardo Boi Chá who is voiced by Ricardo Boechat. The Japanese version uses a tanuki named Michael Tanuyama who is voiced by Kazumasa Kōra. The Chinese version uses an unnamed giant panda.

Byron Howard as Bucky Oryx-Antlerson, a greater kudu who is Judy Hopps' neighbor and Pronk's husband.

Howard also voices Travis, Gideon Grey's black-footed ferret friend.

Jared Bush as Pronk Oryx-Antlerson, a gemsbok who is Judy Hopps' neighbor and Bucky's husband.

Mark Rhino Smith as Officer McHorn, a black rhinoceros police officer who is part of the Zootopia Police Department's 1st Precinct.

Josie Trinidad as Mrs. Dharma Armadillo, a nine-banded armadillo and the landlady of the Grand Pangolin Apartments that Judy Hopps moves into.

John Lavelle as the unnamed construction mouse foreman of Little Rodentia's construction crew who receives the Pawpsicle sticks from Nick and Finnick.

Kristen Bell as Priscilla, a three-toed sloth and Flash's co-worker at the DMV.

Development of the film that would come to be called Zootopia began when Byron Howard pitched six story ideas to Disney Animation chief creative officer and executive producer John Lasseter, of which three involved animal characters: an all-animal adaptation of The Three Musketeers, a 1960s-themed story about a "mad doctor cat...who turned children into animals", and a "bounty hunter pug in space". The common thread running through these ideas was that Howard wanted to do a film similar to Disney's Robin Hood, which also featured animals in anthropomorphic roles. According to Howard, Zootopia emerged from his desire to create something different from other animal anthropomorphic films, where animals either live in the natural world or in the human world. His concept, in which animals live in a modern world designed by animals for animals, was well received by Lasseter, who responded by embracing and lifting Howard "in the air like a baby Simba". Lasseter suggested that Howard should try combining the 1960s theme with the animal characters, especially the space pug. This led Howard to develop and pitch Savage Seas, an international spy film centered on an arctic hare named "Jack Savage" who was somewhat like James Bond. It was around this time that screenwriter Jared Bush was hired to work on the film; he was excited to work on a spy film because his own father and grandfather had worked for the Central Intelligence Agency.

Howard and Bush continued to develop the film with the assistance of the Disney Story Trust, the studio's top creative personnel who meet regularly to review and discuss all projects in development. The most delightful part of the spy film turned out to be its first act, set in a city created by and for animals. To focus on the all-animal city, Howard eventually dropped the 1960s setting, along with the espionage and international aspects, and changed the film into a contemporary police procedural in which Nick Wilde was the lead role and Judy Hopps was essentially his sidekick. For a while, "the filmmakers were very committed" to that version of the story, but then in November 2014, the filmmakers realized the film's plot would be more engaging if they reversed the roles to instead focus on Hopps as opposed to Wilde.[46] The change in perspective involved dropping several characters, including two characters known as "The Gerbil Jerks" who were described as "trust-fund gerbils that had nothing better to do than harass Nick.

Pre-production

Byron Howard

Rich Moore

Directors Byron Howard and Rich Moore presented footage from the film at the 2015 Annecy International Animated Film Festival

In May 2013, The Hollywood Reporter initially reported that Howard was directing the film and that Jason Bateman had been cast, but little else about the film was known at the time. Zootopia was first officially announced on August 10, 2013, at the D23 Expo, with a March 2016 release date.

Research for the film took place in Disney's Animal Kingdom, as well as in Kenya and the San Diego Zoo Safari Park, where animators spent eight months studying various animals' walk cycles as well as fur color. Eight hundred thousand forms of mammals were created for and featured in the film. To make the characters' fur even more realistic, they also went to the Natural History Museum of Los Angeles County to closely observe the appearance of fur with a microscope under a variety of lighting. The filmmakers drew inspiration for Zootopia's urban design from major cities including New York City, San Francisco, Las Vegas, Paris, Shanghai, Hong Kong, and Brasília. To develop a city that could actually be inhabited by talking mammals ranging in size from two inches (5.1 cm) to 27 feet (8.2 m) and from drastically different climates, the filmmakers consulted Americans with Disabilities Act specialists and HVAC system designers. For assistance with designing motor vehicles appropriate for so many different types and sizes of mammals, the filmmakers consulted with J Mays, former chief creative officer of the Ford Motor Company. During the development process, Walt Disney Studios chairman Alan F. Horn suggested that Nick should expressly state his disappointment ("Just when I thought someone actually believed in me.") after discovering that Judy still fears him as a predator. In March 2015, it was revealed that Rich Moore (Wreck-It Ralph) had been added as a director of the film, in addition to Jared Bush (Penn Zero: Part-Time Hero) as co-director.

Animation

Disney's most recent work on animating fur was for the titular character of the 2008 film Bolt, but the software they had used at the time was not ready for creating the realistic fur of the animals of Zootopia. Therefore, the studio's IT engineers developed the fur-controlling software "iGroom", which gave character designers precise control over the brushing, shaping and shading of fur and made it possible to create a variety of eccentric character styles for each animal. The software was also able to control an unseen "imaginary" under-layer that gave fur a degree of plushness not seen before. This feature was used to create characters like Officer Clawhauser, who has a big head that is entirely made of spotted fur. Characters with noteworthy numbers of strands of hair or fur included both of the two lead characters, Judy Hopps and Nick Wilde, who each had around 2.5 million hairs; a giraffe with nine million strands of fur; a gerbil with 480,000 strands; and a rodent with more strands of hair than the 400,000 that were on Elsa's head in Frozen.

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Zootopia was the second time Disney used the Hyperion renderer, which they had first used on Big Hero 6. A new fur paradigm was added to the renderer to facilitate the creation of realistic images of the animals' dense fur. Nitro, a real-time display application developed since the making of Wreck-It Ralph, was used to make the fur more consistent, intact and subtle much more quickly, as opposed to the previous practice of having to predict how the fur would work while making and looking at silhouettes or poses for the character. The tree-and-plant generator Bonsai, first used in Frozen, was used to make numerous variations of trees with very detailed foliage.

Zootopia was produced in makeshift quarters in a giant warehouse in North Hollywood (together with Moana) while Disney Animation's headquarters in Burbank was being renovated.

Casting

On May 6, 2015, Bateman and Ginnifer Goodwin were announced as having been cast, respectively, in the roles of Nick Wilde and Judy Hopps. The filmmakers chose Bateman because they wanted an actor who could bring "a funny yet heartfelt side" with "a wily, dry-witted sort of voice". Bateman described his character as "a crafty, sarcastic schemer", remarking on the role's similarity to many other roles he had done since he was 12. He explained that he had said to the directors: "'What kind of voice do you guys want me to do?' And they just looked at me like I was an idiot and said, 'Just do what you do. Just talk.

Commenting on the casting of Goodwin, Moore said that she brought "very centered sweetness, tremendous heart and a great sense of humor"; he described Judy as "a little Pollyanna mixed with Furiosa". Goodwin stated about her character: "People mistake kindness for naïveté or stupidity, and she is a good girl through and through. But she's not a dumb bunny.

Music

Main article: Zootopia (soundtrack)

The film's score is composed by Michael Giacchino, in his first feature-length project for Walt Disney Animation Studios, as he previously worked on several short films and television specials produced by the company, as well as multiple Pixar films. Recording took place from November 16–20, 2015, with an 80-piece orchestra conducted by Tim Simonec. In addition to her voice role of Gazelle, pop star Shakira also contributed an original song to the film titled "Try Everything", which was written by Sia and Stargate. The soundtrack was released on March 4, 2016, by Walt Disney Records.

Marketing

The first teaser trailer was released online at Walt Disney Animation Studios' YouTube page on June 11, 2015. A second teaser trailer was released online again at Walt Disney Animation Studios' YouTube page on November 23, 2015, featuring a sequence of the film where the main characters encounter a Department of Mammal Vehicles (based on the DMV) run entirely by sloths. The official theatrical trailer for the film was released online at Walt Disney Animation Studios' YouTube page on New Year's Eve 2015. Figures of Judy Hopps and Nick Wilde were released for Disney Infinity 3.0 on March 1, 2016.

In addition, the studio devoted considerable marketing attention to the furry fandom demographic, believing that they would logically be most interested in this film project.

Theatrical

Zootopia was released on March 4, 2016, in Disney Digital 3-D, RealD 3D, and IMAX 3D, making it the first Disney animated film shown in domestic IMAX theatres since Treasure Planet (2002). It was shown for the first time to the public as a feature film in an international competition for a young audience during the Brussels Animation Film Festival in Belgium on February 7, and was screened to the general media and audience on February 13.

In China, the state's SAPPRFT granted the film a rare two-week extension to play in theaters in addition to its limited 30-day run, which was to have ended on April 3.

Alternative titles

The film was retitled for theatrical release across several international territories. In the United Kingdom and other European, Middle Eastern, and North African countries, the film was renamed Zootropolis, a reference to the concept of a "metropolis" rather than to that of a "utopia". This was due to Disney being unable to trademark the name "Zootopia" in these territories for various legal reasons, including Danish Givskud Zoo registering the name Zootopia in 2014. In Germany, the film was titled Zoomania due to a children's book by German author Kay Fischer titled Zootopolis released in 2010.

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Home media

Zootopia was released by Walt Disney Studios Home Entertainment on Blu-ray, Blu-ray 3D, DVD, and Digital HD platforms on June 7, 2016. It includes some bonus material such as "Scoretopia", an alternate opening, and the music video to Shakira's "Try Everything". The film debuted at the top of the home media sales chart for the week ending on June 12, 2016. The film made a revenue of $89.6 million from home media sales with 4.4 million units sold, making it the third best-selling title of 2016 behind Star Wars: The Force Awakens and Finding Dory. Zootopia was released on 4K Blu-ray on November 5, 2019.

Re-release

On June 22, 2020, amid the reopening of movie theaters due to the COVID-19 global pandemic, Disney announced that Zootopia, along with 11 other Disney owned movies, were to return to US theaters during a 4-week period. Zootopia returned to US theaters on June 26 and played through July 2, 2020, alongside The Avengers, and The Greatest Showman. The re-release grossed a total of $393,600.

Weeks later, on July 20, 2020, it was announced that the film would be returning to theaters in China, along with Big Hero 6 and the Chinese debut of Sonic the Hedgehog on July 31, 2020.

Box office

Zootopia grossed $341.3 million in the U.S. and Canada and $682.5 million in other countries for a worldwide total of $1.024 billion, against a budget of $150 million. On March 18, 2016, the film reached the $500 million mark, becoming the third consecutive Walt Disney Animation Studios film to reach the milestone after Frozen (2013) and Big Hero 6 (2014). On April 5, it became the first film of 2016 to gross over $800 million in ticket sales, and on April 24, became the first ever film of 2016 to cross $900 million. On June 5, the film crossed the $1 billion mark, becoming the second film of 2016 to do so (after the studio's own Captain America: Civil War), the fourth animated film (after Toy Story 3, Frozen and Minions), the eleventh Disney film, the third Disney animated film, and the twenty-sixth film overall to reach the milestone.

Worldwide, it was the fourth-highest-grossing film of 2016 (behind Civil War, Rogue One, and Finding Dory), the second-highest-grossing animated film of 2016, the second-highest-grossing Walt Disney Animation Studios film (second-highest overall) of all time in its original release (after Frozen), the second-highest-grossing original film (behind Avatar), and the fourth-highest-grossing animated film of all time. Deadline Hollywood calculated the net profit of the film to be $294.9 million, when factoring together all expenses and revenues for the film, making it the fifth-most profitable release of 2016.

United States and Canada

In the United States and Canada, pre-release tracking suggested the film would open to $60–70 million from 3,827 theaters in its opening weekend. It played in 3,100 3D theaters, 365 IMAX theaters, and 325 premium large format screens. It earned $1.7 million from Thursday previews, a record for a non-Pixar Disney animated film, for an animated film opening outside of summer, and seventh-biggest all time for an animated film. Buoyed by good word of mouth, it earned $19.5 million on its opening day, also a record for a non-Pixar Disney animated film (breaking Frozen's record), and the second-biggest for a March animated film (behind Ice Age: The Meltdown). In its opening weekend, it scored a better than expected $75.1 million, which was the biggest non-Pixar Disney animated opening (breaking Big Hero 6's record), the biggest opening weekend among Walt Disney Animation Studios films (breaking Frozen's record), the biggest March animated opening (breaking The Lorax's record), the seventh-biggest March opening, and the tenth-biggest animated opening of all time. Furthermore, its opening weekend is also the fourth-biggest for an original film, behind The Secret Life of Pets, Inside Out, and Avatar. It also performed exceptionally well in IMAX, where the film brought in $5.2 million from 366 screens, the second-best animated IMAX opening behind only Toy Story 3 ($8.4 million).

In its second weekend, it fell gradually by 31% to $51.3 million and recorded one of the best holds for an animated film, more or less on par with Wreck-It Ralph's second weekend drop of 32%, but a bigger drop than The Lego Movie's 27%. It continued to top the box office for the third weekend, earning $37.2 million, falling by 28% from its previous weekend while passing the $200 million mark. This made it the second-biggest third weekend for a film that did not open at over $100 million, behind Avatar ($68 million) and ahead of Skyfall ($35 million). The film was overtaken by the superhero film Batman v Superman: Dawn of Justice in its fourth weekend, despite only a marginal decline.[108] It spent a total of 13 consecutive weeks in the top ten, more than any other film except for Avatar (14 weeks) and Frozen (16 weeks) over the last decade.

It ended its theatrical run on August 4, 2016, after playing in theaters for a total of 154 days. It became the second-highest-grossing Walt Disney Animation Studios film (behind Frozen), the seventh-highest-grossing film of 2016, and the tenth-highest-grossing animated film of all time. In June 2020, due to the COVID-19 pandemic closing most theaters worldwide and limiting what films played, Zootopia returned to 280 theaters (mostly drive-ins) and grossed $393,600.

Other countries

Zootopia received a scattered release as Walt Disney Studios Motion Pictures took advantage of school holidays in various markets. The film opened in a limited number of international markets in the weekend ending February 14, earning $4.5 million in three markets. It expanded to 22 markets in its second weekend, into 36% of its total international markets, and added $31.2 million. It added another $33 million in its third weekend with no new markets. In its fourth weekend, it expanded to 45 countries and grossed $64.7 million, coming in second place at the international box office, behind the Chinese film Ip Man 3. $3.3 million came from IMAX showings. It finally topped the box office in its fifth weekend after a strong second-weekend gross in China. It added $89.3 million from 45 countries, an increase of 25% from its previous weekend. It remained in first place for the second time in its sixth weekend, before Batman v Superman: Dawn of Justice took the top spot. It passed the $500 million mark in its eighth weekend.

In its opening weekend—which varied between markets—the film grossed $3.1 million in Spain and an additional $1.7 million in Belgium and Denmark. In Belgium, it had the biggest ever animated opening for a Disney or Pixar film. It broke opening records for a non-Pixar Disney animated film in China ($23.6 million), France ($8.1 million), Russia ($7.8 million), Germany ($6.6 million), Hong Kong ($1.5 million), Poland ($1.2 million), and India. It opened in the United Kingdom and Ireland with $7.5 million, Mexico with $4.6 million, Australia with $3.2 million, Brazil with $2.6 million, and in Italy, on a non-holiday weekend with $3.1 million. The film had number-one openings in Austria, Switzerland, Portugal, and South Africa. In the UK and Ireland, with significant competition from Batman v Superman: Dawn of Justice and the animated family film Kung Fu Panda 3, the film had a £5.31 million ($7.6 million) opening weekend from 579 theaters, including £1.74 million ($2.5 million) worth of previews, debuting in second place behind Dawn of Justice and falling just short of Walt Disney Animation Studios' best opening in the UK. It fell just 24% in its second weekend.

Zootopia's largest markets overseas are China ($235.6 million), followed by Japan ($70.1 million), Russia and the CIS ($39.2 million), Germany ($34.2 million), the UK ($34.2 million), France ($31.9 million), and South Korea ($31.6 million). In China, it is the highest-grossing Disney film in local currency (¥1.530 billion), surpassing Avengers: Age of Ultron (¥1.464 billion), as well as the seventh-highest-grossing film of all time. In Russia, it is the second-highest-grossing film of all time in local currency (₽2.3 billion), behind only Avatar (₽3.6 billion). It topped the Russian and German box office for three weekends, and the Chinese and Korean box office for two weekends.

In China, where it was locally known as Crazy Animal City, the film exceeded expectations and was considered Hollywood's biggest breakout success in China since 2015's Jurassic World made $229 million. It had an opening day of $3.4 million on its way to $23.6 million for its three-day opening weekend, debuting in second place and scoring the biggest non-sequel animated opening, as well as the second-biggest three-day opening and IMAX opening for an animated film, behind Kung Fu Panda 3.In its ninth day of release (a Saturday), it recorded the biggest single-day gross ever for an animated film, with $25 million (compared to $10.6 million on its first Saturday), and passed the lifetime total of Big Hero 6 to become the highest-grossing Disney animated film in China. In its second weekend, it grossed $60 million, an enormous increase of 139% from its previous weekend, and crossed the $100 million mark to become the third animated film in China to do so, after Kung Fu Panda 3 and Monkey King: Hero Is Back. This also marked the single best weekend for an animated film. In mid-March, the combined total of Kung Fu Panda 3 and Zootopia alone broke 2014's record of $286 million in box office grosses for American animated features in China. In its third weekend, it grossed $40 million for a total of $175 million, making it the highest-grossing animated film of all time in China. On March 27, its seventeenth day of release, it passed the $200 million mark, becoming the first animated film, the second Disney film, and the sixth Hollywood film overall to pass that milestone. It became the highest-grossing animated film of all time and the second-highest-grossing film of 2016, behind only The Mermaid.

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It opened in Japan on April 23 and earned $4 million in its opening weekend, debuting at second place in the box office, behind Detective Conan: The Darkest Nightmare, and had the third-biggest Walt Disney Animation Studios debut in that market, behind Frozen and Big Hero 6. Deadline.com pointed out that the average opening number might have been due to the 2016 Kumamoto earthquakes, which could have affected moviegoers. In a rare achievement, it topped the box office in its third weekend after two weeks at No. 2. In the following two weekends, it continued to increase its ticket sales, and topped the box office there for four consecutive weekends. After four straight wins, it was finally overtaken by the R-rated superhero film Deadpool. It was the No. 1 western/Hollywood film for eight consecutive weekends. The Hollywood Reporter cited that strong word of mouth, audiences watching both the English and Japanese versions, and 3D and 4DX screenings, as well as a popular Japanese version of the "Try Everything" song by Dream Ami, all helped boost Zootopia's performance. Its strong run in the market aided the film to propel past the $1 billion mark worldwide. It remained in top three for 11 consecutive weekends and has grossed a total of $70.1 million there.

Critical response

On the review aggregator Rotten Tomatoes, the film has an approval rating of 98% based on 298 reviews, with an average rating of 8.1/10. The website's critical consensus reads: "The brilliantly well-rounded Zootopia offers a thoughtful, inclusive message that's as rich and timely as its sumptuously state-of-the-art animation—all while remaining fast and funny enough to keep younger viewers entertained. It was the site's second-highest-rated film of 2016 behind Moonlight. On Metacritic, the film has a score of 78 out of 100, based on 43 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

Neil Genzlinger of The New York Times considered the movie "funny, smart, thought-provoking". Peter Travers of Rolling Stone wrote that Zootopia "may be the most subversive movie of" 2016, giving the film three-and-a-half stars out of four and praising its timely message about the harm of prejudice in the face of the prevailing xenophobic political rhetoric at the time of the film's release, and the film's humor. Peter Debruge at Variety opined that Zootopia "plays directly to the studio's strength". IGN reviewer Eric Goldman gave the film a 9.0 out of 10 'Amazing' score, saying "Zootopia is a wonderful example of how Disney, at its best, can mix its past and present together in a very cool, compelling way. It takes the classic animation trope of animals walking, talking and acting like humans, but gives it a modern spin both in terms of its humor and animation style and also in its themes, which are meaningful and fascinatingly topical.

Writing in British Sunday newspaper The Observer, reviewer Mark Kermode:

Very funny, and very likable holiday treat... The ensuing drama is nominally a tale of predators succumbing to their animal instincts while frightened prey fear their neighbours. In fact, it's a delightfully well-orchestrated parable about trust and tolerance versus panic and prejudice. An encouragingly upbeat celebration of love and diversity in times of hate and uncertainty. If that all sounds overly on-message, then fear not—the jokes are funny, the characters engaging, and the animation packed with delicious visual detail. this is proper family fun with genuine cross-generational appeal. Hooray!

In the UK daily newspaper The Daily Telegraph, Robbie Collin noted, "The lion doesn't just lie down with the lamb, they run for City Hall on a joint ticket. It's the diversity dream come true. Or is it? Think Busytown by way of Chinatown. It's almost certain to be the most existentially probing talking animal cartoon of the year." Collin added, "Like Nick Nolte and Eddie Murphy in 48 Hrs., albeit considerably cuter, Judy and Nick make a hilariously strained but effective double act – not least thanks to Goodwin and Bateman's tremendous vocal work, which trips along with the effortless swing and snap of great bebop.

Matt Zoller Seitz of RogerEbert.com, despite generally liking the film (three out of four stars), had trouble with the film's central metaphor that conflicted with its message:

Zootopia is constantly asking its characters to look past species stereotypes, and not use species-ist language or repeat hurtful assumptions. This all seems clever and noble until you realize that all the stereotypes about various animals are to some extent true, in particular the most basic one carnivores eat herbivores because it's in their nature. If Zootopia were a bit vaguer, or perhaps dumber and less pleased with itself, it might have been a classic, albeit of a very different, less reputable sort. As-is, it's a goodhearted, handsomely executed film that doesn't add up in the way it wants to.

Also in The Daily Telegraph, Rosa Prince singled out the film's lead character, Judy Hopps, as a welcome change for Disney animated feature film heroines, such as the Disney Princess franchise. She found that unlike those characters' focus on romance or family loyalty, Hopps' focus is on her dream career as a police officer and serving her city.

Some were critically divided of the message about universal prejudices of all sorts interpreted as an allegory of American racism. Nico Lang of Consequence of Sound felt that Disney delivered a kids' version of Crash. Others criticized the use of prey and predator species in the "allegory" while critics at The Root stated positively that the movie acknowledges culpability of systemic racism and white supremacy.


Finding Dory Animation Movie Story And Information

Finding Dory Animation Movie Story And Information

Finding Dory is a 2016 American computer-animated comedy-drama adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. Directed by Andrew Stanton, produced by Lindsey Collins and written by Stanton and Victoria Strouse, the film is the sequel to Finding Nemo (2003). Ellen DeGeneres and Albert Brooks reprise their roles from the first film, with Hayden Rolence (replacing Alexander Gould), Ed O'Neill, Kaitlin Olson, Ty Burrell, Diane Keaton and Eugene Levy joining the cast. The film focuses on the amnesiac fish Dory (DeGeneres), who journeys to be reunited with her parents (Keaton and Levy).

Disney planned to make a sequel to Finding Nemo since 2005, tasking its new studio Circle Seven Animation after disagreements with Pixar. Though it never went into production, a script was uploaded to the official Raindance Film Festival website that includes elements of the unmade script. Disney's acquisition of Pixar in early 2006 led to the cancellation of Circle Seven's version of the film. A Pixar-made sequel was announced in April 2013 as the schedule for a November 2015 release. The fictional Marine Life Institute depicted extensively in the film is based on the production team's research trips to the Monterey Bay Aquarium, the Marine Mammal Center and the Vancouver Aquarium. Thomas Newman returned to compose the score.

Finding Dory premiered at the El Capitan Theatre in Los Angeles on June 8, 2016, and was released in theaters in the United States on June 17. It received widespread praise from critics, like its predecessor, for its animation, emotional weight, voice acting and humor. The film earned $1.029 billion worldwide, finishing its theatrical run as the third-highest-grossing film of 2016 and the fourth-highest-grossing animated film at the time. Finding Dory set numerous box office records, including the biggest opening for an animated film in North America and the highest-grossing animated film in North America.

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Dory, the regal blue tang, gets separated from her parents, Jenny and Charlie, as a child. As she grows up, Dory attempts to search for them, but gradually forgets them due to her short-term memory loss. Later, she joins the clownfish Marlin, looking for Nemo.

One year after meeting Marlin and Nemo, Dory is living with them in their reef. One day, Dory has a flashback and remembers her parents. She decides to look for them, but her memory problem is an obstacle. She suddenly remembers that they lived at the "Jewel of Morro Bay, California" across the ocean when Nemo mentions the name.

Marlin and Nemo accompany Dory on her journey. With the help of Crush, their sea turtle friend, they ride the California Current to California. Upon arrival, they explore a shipwreck full of lost cargo, where Dory accidentally awakens a giant Humboldt squid that pursues them and almost devours Nemo. They manage to trap the squid and Marlin chastises Dory for endangering them. Dory travels to the surface to seek help, where she is captured by staff members from the Marine Life Institute.

Dory is placed in quarantine and tagged. There she meets a rude but well-meaning seven-legged octopus named Hank. Dory's tag marks her for transfer to an aquarium in Cleveland, Ohio. Hank, who fears being released back into the ocean, agrees to help Dory find her parents in exchange for her tag. In one exhibit, Dory encounters her childhood friend Destiny, a nearsighted whale shark, who used to communicate with Dory through pipes, and Bailey, a beluga whale, who mistakenly believes he has lost his ability to echolocate. Dory subsequently has flashbacks of life with her parents and struggles to recall details. She finally remembers how she was separated from her parents: she overheard her mother crying one night, left to retrieve a shell to cheer her up, and was pulled away by an undertow current out into the ocean.

Marlin and Nemo attempt to rescue Dory. With the help of two lazy California sea lions named Fluke and Rudder and a common loon named Becky, they manage to get into the institute and find her in the pipe system. Other blue tangs tell them that Dory's parents escaped from the institute a long time ago to search for her and never came back, leaving Dory to believe that they are dead. Hank retrieves Dory from the tank, accidentally leaving Marlin and Nemo behind. He is then apprehended by one of the employees and unintentionally drops Dory into the drain, flushing her out to the ocean. While wandering aimlessly, she comes across a trail of shells; remembering that when she was young, her parents had set out a similar trail to help her find her way back home, she follows it. At the end of the trail, Dory finds an empty brain coral with multiple shell trails leading to it. As she turns to leave, her parents arrive. They tell her they spent years laying down the trails for her to follow in the hopes that she would eventually find them.

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Marlin, Nemo, and Hank end up in the truck taking various aquatic creatures to Cleveland. Destiny and Bailey escape from their exhibit to help Dory rescue them. Once onboard the truck, Dory persuades Hank to return to the sea with her, and together, they hijack the truck and drive it over busy highways, creating havoc, before crashing it into the sea, freeing all the fish. Dory, along with her parents and new friends, returns to the reef with Marlin and Nemo. Hank begins to adapt a happy lifestyle in the ocean and also becomes a teacher for Nemo's school.

In a post-credits scene, the Tank Gang (from Finding Nemo), still trapped inside their plastic bags, after one year floating across the Pacific Ocean, reach California; they are picked up by staff members from the Marine Life Institute, much to their dismay. Meantime, Fluke and Rudder's enemy Gerald tries to sneak on to their rock.

A regal blue tang, who suffers from short-term memory loss.

Sloane Murray as young Dory. Murray is the 7-year-old daughter of producer Lindsey Collins.

Lucia Geddes as teen Dory.

Albert Brooks as Marlin, an overprotective ocellaris clownfish, Nemo's father and Dory's friend.

Hayden Rolence as Nemo, a young optimistic clownfish who is Marlin's son.

Ed O'Neill as Hank, a cranky but well-meaning East Pacific red octopus, who is called a "septopus", having lost a tentacle.

Kaitlin Olson as Destiny, a nearsighted whale shark who was Dory's childhood friend.

Ty Burrell as Bailey, a beluga whale, who temporarily lost echolocation due to a concussion.

Diane Keaton as Jenny, Dory's mother.

Eugene Levy as Charlie, Dory's father.

Idris Elba as Fluke, a California sea lion who is Rudder's friend.

Dominic West as Rudder, a California sea lion who is Fluke's friend.

Bob Peterson as Mr. Ray, a spotted eagle ray who is Nemo's schoolteacher.

Andrew Stanton as Crush, a green sea turtle.

Sigourney Weaver as herself, who voices the recorded messages broadcast over the institute's public address system.

Bill Hader as Stan, a kelp bass and husband fish.

Kate McKinnon as Inez, Stan's wife fish.

Alexander Gould as Passenger Carl, a delivery truck driver who works for the institute. Gould previously voiced Nemo in Finding Nemo.

Torbin Xan Bullock as Gerald, a California sea lion, who wants to lie on the rock occupied by Fluke and Rudder only to be constantly repelled by them.

Katherine Ringgold as Kathy, a chickenfish.

Bennett Dammann as Squirt, Crush's son. He was previously voiced by Nicholas Bird in Finding Nemo.

John Ratzenberger as Husband Crab (Bill)

Angus MacLane as Sunfish "Charlie Back-and-Forth"

Willem Dafoe as Gill, a Moorish idol and the leader of the "Tank Gang".

Brad Garrett as Bloat, a pufferfish.

Allison Janney as Peach, a starfish.

Austin Pendleton as Gurgle, a royal gramma.

Stephen Root as Bubbles, a yellow tang.

Vicki Lewis as Deb and Flo, a four-striped damselfish.

Jerome Ranft as Jacques, a cleaner shrimp. He was originally voiced by Joe Ranft, Jerome's late brother, in Finding Nemo.

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Prior to work on Finding Dory, Disney had planned to make a Finding Nemo sequel without Pixar's involvement, through Circle Seven Animation, a studio Disney announced in 2005 with the intention to make sequels to Pixar properties. However, due to the 2006 acquisition of Pixar by Disney, Circle Seven was shut down by Disney without having produced a film. Although it never went into production, a script for the Circle Seven version was uploaded to the official Raindance Film Festival website. Elements of the unmade script included the introduction of Nemo's long-lost twin brother, Remy, and a storyline wherein Marlin is caught and must be saved.

Director Andrew Stanton at the 2016 Annecy International Animated Film Festival

In July 2012, Andrew Stanton was announced as the director of a Finding Nemo sequel, with Victoria Strouse writing the script. That same month, Stanton examined the veracity of the news involving the potential sequel. That August, Ellen DeGeneres had entered negotiations to reprise her role of Dory, and in September, the film was confirmed by Stanton, saying: "What was immediately on the list was writing a second Carter movie. When that went away, everything slid up. I know I'll be accused by more sarcastic people that it's a reaction to Carter not doing well, but only in its timing, but not in its conceit. In February 2013, it was confirmed by the press that Albert Brooks would reprise the role of Marlin in the sequel.

In April 2013, Disney announced the sequel, Finding Dory, confirming that DeGeneres and Brooks would be reprising their roles as Dory and Marlin, respectively. Following a long campaign for a sequel on The Ellen DeGeneres Show, DeGeneres stated:

I have waited for this day for a long, long, long, long, long, long time. I'm not mad it took this long. I know the people at Pixar were busy creating Toy Story 16. But the time they took was worth it. The script is fantastic. And it has everything I loved about the first one: It's got a lot of heart, it's really funny, and the best part is it's got a lot more Dory.

In a July 2013 interview with Los Angeles Times, Stanton spoke of the sequel's origin: "There was polite inquiry from Disney about a Finding Nemo sequel. I was always 'No sequels, no sequels. But I had to get on board from a VP standpoint. Sequels are part of the necessity of our staying afloat, but we don't want to have to go there for those reasons. We want to go there creatively, so we said to Disney, 'Can you give us the timeline about when we release them? Because we'd like to release something we actually want to make, and we might not come up with it the year you want it.

In a 2016 interview, Stanton stated how the film's story came to be; "I don't watch my films that often after they're done because I have to watch them so many times before they come out. So about 2010 when we were getting Finding Nemo ready for the 10-year re-release in 3D, it was interesting to watch again after all that time. Something kind of got lodged in the back of my brain and started to sort of stew. I started to think about how easily Dory could get lost and not find Marlin and Nemo again. She basically was in the same state that she was when Marlin found her. I didn't know where she was from. I knew that she had spent most of her youth wandering the ocean alone, and I wanted to know that she could find her new family, if she ever got lost again. It's almost like the parental side of me was worried." Stanton additionally stated: "I knew if I ever said Finding Dory or mentioned a sequel to Finding Nemo out loud, I'd be done, There would be no way I'd be able to put that horse back in the barn. So I kept it very quiet until I knew I had a story that I thought would hold, and that was in early 2012. So I pitched it to John Lasseter and he was all into it. Then I got a writer, and once we had a treatment that we kind of liked, I felt comfortable calling Ellen.

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Co-director Angus MacLane at a Finding Dory premiere

Stanton selected Victoria Strouse to write the screenplay. She later said, "It was always collaborative with Andrew, but really the screenwriting was me. Of course, Andrew would do passes, and he and I would brainstorm a lot together and then we would bring it to the group of story artists. People would weigh in and share ideas. She pointed to Dory's forgetfulness as a challenge when writing the script, adding, "You don't realize until you sit down to write a character who can't remember things how integral memory is to absolutely everything we do, and that's what creates a narrative that people can follow. When a main character can't self-reflect and can't tell a story, that character is very difficult to design because she can't really lead. To get her to be able to lead and to get an audience to be able to trust her was the hardest thing to do.

The fictional Marine Life Institute depicted extensively in the film is based on the production team's research trips to the Monterey Bay Aquarium, the Marine Mammal Center and the Vancouver Aquarium.

The film's ending was revised after Pixar executives viewed Blackfish, a 2013 documentary film which focuses on the dangers of keeping orca whales in captivity. Initially, some of the characters were to end up in a SeaWorld-like marine park, but the revision gave them an option to leave.

Angus MacLane was one of the first people to whom Stanton revealed his idea for the sequel. Together, with Bob Peterson, they discussed about different ideas for places Dory would visit during her journey — one of those ideas was the touch pool sequence. Later, during the Brave (2012) wrap party, Stanton invited MacLane to join him in his first co-directing duty. Stanton described MacLane's role as a "jack of all trades", particularly utilizing his experience in animation and story, as well as in production, having created a few short films himself.

In August 2015, at Disney's D23 Expo, it was announced that Hayden Rolence would voice Nemo, replacing Alexander Gould from the first film, whose voice had deepened since reaching adulthood (Gould voiced a minor character in the sequel instead). At the D23 expo they also announced that Ed O'Neill would be the voice of Hank.

To make the light more realistic, RenderMan was completely re-engineered, its biggest change in 25 years.

Worldwide, Finding Dory received a staggered release in a span of four months from June to September, with Germany being the last country. This was done in order to take advantage of key holidays and competitive dates around the world. It made an estimated $50.7 million in its opening weekend in 29 countries. In its second weekend, it added $38.7 million from 37 markets, falling in third place behind Independence Day: Resurgence and Now You See Me 2. In the same weekend along with its $73 million take in North America, the film helped Pixar cross the $10 billion mark worldwide since Toy Story (1995). By its fourth weekend, the animated film helped Disney push past the $3 billion mark internationally and $5 billion globally.

It had the biggest opening for an animated film in Brazil ($7.1 million) and the Netherlands ($2.1 million), and the biggest of all time for a Disney animated or Pixar film in Australia ($7.7 million), the Philippines ($2.1 million), Singapore ($1.3 million), India ($1 million), Indonesia, Peru and Central America, and in Russia it opened with $3.2 million, and the second-biggest in the United Kingdom and Ireland ($10.7 million), Mexico ($9.4 million) and Argentina ($3.5 million), and Colombia ($2.1 million), behind Monsters University. In the UK and Ireland, the film recorded the second-biggest animated opening of the year with £8.1 million ($10.7 million) from 580 theaters, behind only The Secret Life of Pets. However, if previews are excluded, Finding Dory is ahead. Moreover, it also posted the second-biggest Disney/Pixar opening, behind only Toy Story 3 (fourth-biggest if previews are included), and the seventh-biggest animated opening of all time overall based on pure Friday-to-Sunday gross alone. It added an additional 43 theaters in its second weekend, after which it added another £3.98 million ($5.1 million) at the weekend, thereby passing the £20 million mark in just 10 days (among Pixar films, only Toy Story 3 reached £20 million faster). It made an impressive £8.15 million during weekdays, from Monday to Thursday resulting in a £2.03 million daily-average gross. According to The Guardian, this was because of the school holidays that prevailed on the weekdays. Otherwise, family films earn the vast majority of their takings on Saturday and Sunday, and showtimes typically reduce on weekdays.[90] It returned to the top of the box office in its fourth weekend and went on to become the highest-grossing film of the summer that year. In Brazil, in addition to recording the biggest Disney/Pixar opening ever, almost twice the previous record held by The Good Dinosaur, it also set a new record for an all-time animated opening, on par with Minions in local currency. In South Korea, it had the biggest opening for a Pixar film with $7.1 million, which is also the second-biggest for a Disney animated film, behind Frozen.[84] In Japan, the film had a two-day weekend opening of $7 million on Saturday and Sunday from 511 screens on 571,000 admissions. For the entire three-day holiday weekend, including Marine Day on Monday July 18, the film earned $11 million on 922,000 admissions. This made it the top western release of the weekend and the biggest foreign opening-weekend in the country of that year. It had further number-one openings in Spain ($4.9 million), France ($4.7 million), Hong Kong ($1.9 million; $2.8 million including previews), Taiwan ($1.9 million), Sweden, Norway, and Denmark. It topped the box office in the Netherlands for three and in Spain and Australia for four consecutive weekends. In Italy, it scored the biggest animated opening of the year with $5.8 million.

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In China, where Pixar films have been struggling to find broad audiences and accrue lucrative revenues, the film was projected to make around $30 million in its opening weekend. The film ended up grossing $17.7 million—the biggest Pixar opening in the country's history—debuting in second place behind Warcraft. It surpassed Monsters University in just seven days to become the biggest Pixar film there with $38.1 million. It opened in Germany—its last market—on September 29, where the film delivered a robust opening of $8.4 million, the biggest for any film of 2016 in the country. The film continued to benefit from German Unity Day on October 3. It went on to top the box office there for three straight weekends, tying with Inferno in its third weekend.

It is now the highest-grossing Disney animated or Pixar film in Australia (where it is also the second-highest-grossing animated film of all time behind Shrek 2), Bolivia, Brazil, Central America, Colombia, India, Indonesia, New Zealand, Peru, the Philippines, and Trinidad. It also became the second-highest-grossing Pixar release of all time in South Korea behind Inside Out. Elsewhere, the film's top international markets were Japan ($66 million), followed by the UK ($56.3 million), China ($38.1 million), Australia ($36.3 million), and Brazil ($34.5 million).

Critical response

On the review aggregator website Rotten Tomatoes, Finding Dory holds an approval rating of 94% based on 339 reviews, with an average rating of 7.7/10. Its critical consensus reads, "Funny, poignant, and thought-provoking, Finding Dory delivers a beautifully animated adventure that adds another entertaining chapter to its predecessor's classic story. Metacritic, which uses a weighted average, assigned Finding Dory a score of 77 out of 100 based on 48 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, and PostTrak reported a 91% overall positive score and an 81% "definite recommend" among kids.

Mike Ryan of Uproxx wrote, "I never thought I wanted a sequel to Finding Nemo, but here we are and I'm pretty happy it exists. And, for me, it was a more emotional experience than the first film. Finding Dory got me—it made me cry. A. O. Scott of The New York Times said that while the film lacks "dazzling originality", it still has "warmth, charm and good humor". In his review for Variety, Owen Gleiberman wrote, "It's a film that spills over with laughs (most of them good, a few of them shticky) and tears (all of them earned), supporting characters who are meant to slay us (and mostly do) with their irascible sharp tongues, and dizzyingly extended flights of physical comedy. Joe Morgenstern of The Wall Street Journal said that "Finding Dory can be touching, sweet and tender, but it's compulsively, preposterously and steadfastly funny. Peter Travers of Rolling Stone gave the film three-and-a-half stars out of four and said that the film "brims with humor, heart and animation miracles", despite lacking "the fresh surprise of its predecessor". Wendy Ide of The Observer wrote that the film "reprises the central motif of Finding Nemo: that of the enduring parent-child bond, and the special embrace of family, in all its permutations", but added: "it is approached with such charm and warmth that it hardly matters that the two films share such similar arcs.

Todd McCarthy of The Hollywood Reporter wrote, "Its heroine may suffer from short-term memory loss, but viewers with any memory at all will realize that Finding Dory falls rather short of its wondrous progenitor. Writing for the Los Angeles Times, Kenneth Turan said that, "As the 13-year gap between Nemo and Dory indicates, this was not a concept that cried out to be made. Armond White of National Review wrote: "For anyone who is not a legally bound babysitter, Finding Dory offers nothing that will please a taste for finer humor, freer fun, or genuinely expressive filmmaking.

Environmental controversies and issues

Conservationists warned that, very much like Finding Nemo, the film could lead to uninformed customers buying regal blue tang fish, Dory's species, for home aquariums. Blue tangs cannot be bred in captivity and have to be caught in the wild. They are related to surgeonfish and exhibit razor-sharp spines on both sides of the tail that can inflict formidable wounds.

While promoting the film, actress Ellen DeGeneres reminded audiences that Nemo and Dory's real-life home, the Great Barrier Reef, is under enormous threat, mostly due to coral bleaching, a process induced by climate change, which has killed coral reefs on an enormous scale.

In 2019, researchers from the United Kingdom, Canada and the United States published a scientific paper showing that imports of blue tangs to the US did not increase after release of the film, but internet searches for the species did increase.


Adventure Movie Pirates of The Caribbean: On Stranger Tides Story And Information

Adventure Movie Pirates of The Caribbean: On Stranger Tides Story And Information

Pirates of the Caribbean: On Stranger Tides is a 2011 American fantasy swashbuckler film directed by Rob Marshall. It is the first film in the series not to be directed by Gore Verbinski. Produced by Jerry Bruckheimer and written by Ted Elliott and Terry Rossio, the film is suggested by the 1987 novel On Stranger Tides by Tim Powers as a standalone sequel to At World's End (2007) and the fourth installment in the Pirates of the Caribbean film series. The film stars Johnny Depp, Geoffrey Rush, and Kevin R. McNally, who reprise their roles from the previous films, alongside Penélope Cruz, Ian McShane, Sam Claflin and Àstrid Bergès-Frisbey. The story follows the eccentric pirate Captain Jack Sparrow (Depp) forced into a shaky alliance with Angelica (Cruz), a mysterious woman from his past, as they embark on a quest for the Fountain of Youth. Jack is forced aboard the Queen Anne's Revenge, contends with the infamous pirate Blackbeard (McShane), and enters an uneasy alliance with Jack's rival Hector Barbossa (Rush).

On Stranger Tides was produced by Walt Disney Pictures and Jerry Bruckheimer Films, and distributed by Walt Disney Studios Motion Pictures. During the back-to-back production of Dead Man's Chest (2006) and At World's End, writers Elliott and Rossio first learned of Powers' novel and considered it a good starting point for a new film in the series. Pre-production started after the end of the 2007–2008 Writers Guild of America strike, with Depp collaborating with the writers on the story design. Principal photography lasted for 106 days between June and November 2010, with locations in Hawaii, the United Kingdom, Puerto Rico and California. Filming employed 3D cameras similar to those used in the production of the 2009 film Avatar, and ten companies were involved with the film's visual effects. Following inflated production costs which ballooned the net budget to $379 million, the film was the most expensive film ever made at the time of its release.

On Stranger Tides was released in the United States on May 20, 2011. The film broke many box office records and was the third highest-grossing film of 2011. A fifth film, titled Dead Men Tell No Tales, was released in May 2017.

In 1750, a man rescued from the ocean is brought to King Ferdinand of Spain, where he claims to have sailed with Ponce de León, who died 200 years earlier searching for the Fountain of Youth. Years after Captain Jack Sparrow lost the Black Pearl to Hector Barbossa and acquired Sao Feng's map to find the Fountain, Jack rescues his first mate, Joshamee Gibbs, from execution in London, only to get captured. Gibbs takes Jack's map, while Jack himself is brought before King George II, who wants him to guide an expedition to the Fountain before King Ferdinand's Spanish Armada can locate it. Barbossa, now sporting a peg leg and having lost the Pearl, joins the expedition as a privateer. Jack escapes, leading Barbossa to later recruit Gibbs, who memorizes Jack's map before burning it, and they set sail aboard the HMS Providence.

Captain Teague, Jack's father, tells Sparrow that the Profane Ritual is required to use the Fountain. Jack also hears of another Jack Sparrow recruiting a crew. The impostor is Angelica, Jack's former lover and daughter of Blackbeard, who shanghais Jack into service aboard the Queen Anne's Revenge. Amongst the crew are zombie officers and Philip Swift, a captured missionary. Blackbeard practices voodoo magic as a brujo and wants to find the Fountain to avoid a prophesied death by a one-legged man. Although Jack incites the human crew to mutiny against the zombies, Blackbeard subdues the mutineers with a sword that allows him to control ships. Jack learns from Angelica that the ritual for the Fountain requires a mermaid's tear and two silver chalices located on Ponce de León's ship, the Santiago. Both chalices get water from the Fountain, and the person who drinks the water with the tear gets all the years of life from the other. Angelica also shows Jack Blackbeard's collection of captured, miniaturized ships in bottles, including the Black Pearl.

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The Revenge sails to Whitecap Bay, where Blackbeard's crew captures the mermaid Syrena. Barbossa, Gibbs, and some of the British crew continue on foot after the Providence is attacked by mermaids. Syrena's tail becomes legs after being out of water; seeing that she cannot walk, Philip offers to carry Syrena. After their newfound love is used to extract the mermaid's tear, Syrena is left to die. Blackbeard sends Jack to get the chalices, taking the latter's magic compass. Jack and Barbossa meet on the Santiago, but find the chalices have been taken by the Spanish. Before retrieving the chalices, Barbossa reveals his true agenda: a desire for revenge against Blackbeard, detailing the attack on the Black Pearl, which Barbossa truly believes to be sunk,[a] which led to cutting off his leg via self-amputation. Jack returns to Blackbeard, giving him the chalices in exchange for Jack's compass, which Jack sends Gibbs off with.

All parties locate the Fountain of Youth, which leads to a battle, in which Barbossa stabs Blackbeard with a poisoned sword. Angelica cuts her hand on the poisoned blade. The Spanish throw the chalices into a deep pool and destroy the Fountain, believing it as an abomination against God. In the chaos, Philip frees Syrena, who gives the chalices to Jack. Filling the chalices with the remaining drops of water from the Fountain, adding Syrena's tear, Jack tricks Blackbeard into drinking the chalice lacking the tear. Angelica is healed, whilst Blackbeard dies. Syrena returns to an injured Philip and, after she forgives him, they kiss and return underwater.

Barbossa claims Blackbeard's ship, crew, and sword for his own, and returns to a life of piracy. Meanwhile, Jack maroons Angelica on a cay, unsure if he can trust her. Jack reunites with Gibbs, who uses the compass to locate the Revenge and retrieve the Black Pearl in a bottle. As they figure out how to get the Pearl out, Jack tells Gibbs he's determined to continue living the pirate's life. In a post-credits scene, a voodoo doll of Jack created by Blackbeard washes ashore to Angelica, who smiles.

Johnny Depp as Captain Jack Sparrow: Legendary pirate, former captain of the Black Pearl.

Penélope Cruz as Angelica: Jack's former love interest, first mate and daughter of Blackbeard. As the production date for On Stranger Tides neared, Penélope Cruz found out she was pregnant with her first child, a son with Javier Bardem. Director Rob Marshall and producer Jerry Bruckheimer worried Cruz might back out, despite Bruckheimer himself saying it didn't affect production, but Cruz remained committed to the film. To accommodate her condition, the schedule was adjusted to shoot more of Cruz's scenes before she started to show. The costume designer created an elastic corset to allow the actress to move more freely, and Cruz's outfits were constantly being altered. "I just had a new fitting every three weeks," Cruz said. "We kept having fittings, but they were very, very kind to do it." Cruz did all of her close-up action scenes, though her pregnancy forced the filmmakers to use a stunt double on more of the wide shots. In September 2010, after it became noticeable on set at Puerto Rico, representatives of Cruz and Bardem confirmed they were four-and-a-half months pregnant. After that, Penélope only filmed Angelica's close-ups while her sister Mónica did all of Angelica's long-distance shots.

Ian McShane as Blackbeard: Legendary pirate, captain of the Queen Anne's Revenge, and Angelica's father. McShane was previously considered to play Davy Jones (later portrayed by Bill Nighy) in Pirates of the Caribbean: Dead Man's Chest.

Geoffrey Rush as Captain Hector Barbossa: Legendary pirate-turned-privateer, former captain of the Black Pearl, and Jack's rival.

Kevin McNally as Joshamee Gibbs: Jack's friend, and former first mate of the Black Pearl.

Sam Claflin as Philip Swift: A missionary, kept prisoner aboard Blackbeard's ship, and Syrena's love interest.

Àstrid Bergès-Frisbey as Syrena: A mermaid captured by Blackbeard's crew, and Philip's love interest.

Stephen Graham as Scrum: A self-serving crew member of the Queen Anne's Revenge.

Richard Griffiths as King George II

Greg Ellis as Lt. Cmdr. Theodore Groves: Barbossa's second-in-command, former second-in-command of Lord Cutler Beckett and Commodore James Norrington's crew.

Óscar Jaenada as The Spaniard: King Ferdinand's most trusted agent.

Keith Richards as Captain Teague: Legendary pirate and Jack Sparrow's father.

King George's ministers include Roger Allam as Prime Minister Henry Pelham and Anton Lesser as Lord John Carteret. Damian O'Hare reprises his role as Lieutenant Gillette from the first Pirates movie. Other Spanish characters include Sebastian Armesto as King Ferdinand, Juan Carlos Vellido as a Spanish captain. Judi Dench has a cameo as a society lady who encounters Jack Sparrow in a carriage.

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Development

Shortly before the premiere of At World's End, Jerry Bruckheimer stated it was the end of the trilogy, but the idea of a spin-off was still possible. After the film's successful opening weekend, Dick Cook, then Chairman of the Walt Disney Studios, said he was interested in a fourth installment. Los Angeles Times also reported that rights to a book were bought. Johnny Depp was expected to reprise his role as Captain Jack Sparrow. Ted Elliott and Terry Rossio had started working on a script in 2007, but they were interrupted by the 2007–2008 Writers Guild of America strike, and only resumed in mid-2008.

In June 2009, Bruckheimer indicated Disney would prefer the fourth installment of Pirates to be released before The Lone Ranger film, which was being worked on for release in the summer of 2010. He hoped original Pirates director Gore Verbinski would return for the fourth film, as his BioShock film adaptation had been put on hold. As Verbinski was unavailable due to his commitment with Rango the same year, Bruckheimer suggested Rob Marshall, whom he considered a "premiere filmmaker", stating that "Every film made I thought was unique and different. On July 21, 2009, Marshall accepted the job, because of the "whole new story line and set of characters. It felt new, and that was important to me. Marshall's involvement wasn't reported until August. Marshall said the film provided him a long-awaited opportunity to work with Depp, and that his directing was helped by his experience as a choreographer—"the action sequences felt like big production numbers. "I really had one criteria for signing on. And that was a story I could actually follow.

On September 11, 2009, at Disney's D23 convention during a Disney event, Cook and Johnny Depp, in full Captain Jack Sparrow costume, announced that a fourth Pirates film was in development for a summer 2011 release. The title was announced as Pirates of the Caribbean: On Stranger Tides, later revealed to have been taken from Tim Powers's 1987 novel On Stranger Tides. Cook resigned in September 2009 after working for Disney for over 38 years. Depp's faith in Pirates of the Caribbean: On Stranger Tides was somewhat shaken after the resignation, with Depp explaining that "There's a fissure, a crack in my enthusiasm at the moment. It was all born in that office". Depp also explained Cook was one of the few who accepted his portrayal of Jack Sparrow: "When things went a little sideways on the first Pirates movie and others at the studio were less than enthusiastic about my interpretation of the character, Dick was there from the first moment. He trusted me". Regardless, on January 6, 2010, Disney announced that the film would be released on May 20, 2011.

Director Rob Marshall visited the Pirates of the Caribbean ride in Disneyland for inspiration, eventually paying homage with a skeleton holding a magnifying glass in Ponce de León's ship. Another ride reference scene featuring "Old Bill", the pirate who tries to share his rum with a cat, was also filmed but cut. Pintel and Ragetti were originally supposed to make an appearance, but director Rob Marshall opted out of the idea as he feared their roles would be cut.

Writing

During the production of Dead Man's Chest and At World's End, writers Ted Elliott and Terry Rossio discovered Tim Powers's 1987 novel On Stranger Tides, which they considered a good foundation on which to base "a new chapter" in the Pirates series. Disney bought the rights to the novel in April 2007. In 2009, after the announcement of the film's title, which led to speculation in regards to his book, Powers insisted that Jack Sparrow and his book's main character Jack Shandy "are totally different characters" but that it was possible that "they might overlap" Blackbeard and Barbossa, though felt certain the Fountain of Youth was the only thing they would hold on to due to the film's ending. Rossio stated that he and Elliot had considered using Blackbeard and the Fountain of Youth in the story before reading the book, "but whenever you say those words, Powers's novel comes to mind. There was no way we could work in that field without going into territory Tim had explored." However, they denied that it would be a straight version of the novel: "Blackbeard came from the book, and in the book, there is a daughter character, too. But Jack Sparrow is not in the book, nor is Barbossa. So I wouldn't call this an adaptation. Rossio declared the script was written to be a standalone film, "kind of a James Bond sort of thing", instead of the "designed to be a trilogy" structure of the previous installments. They hoped to "design a story that would support new characters," knowing that previous arcs were over. Bruckheimer added that there was a decision to "streamline the story a little bit, make it a little simpler and not have as many characters to follow", as the number of characters and subplots in At World's End caused the film to have an unwieldy length. The duo decided to employ another sea myth alluded to in the previous episodes: mermaids, which are briefly referenced as "suck-you-byes, female demons that weirdly and erotically occupied the last hours of men marooned on barren islands" in the fourth chapter of the book. The mermaids' role expanded in the film's script, which included a vast attack sequence.

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Depp was deeply involved with the story design, frequently meeting the writers to show what he was interested in doing, and in the words of Rossio, being "involved in coming up with storylines, connecting characters, creating moments that we would then fashion, shape and then go back. Among Depp's suggestions were turning Philip into a missionary and having a Spanish contingent following the protagonists. Afterwards, Rob Marshall and executive producer John DeLuca met Rossio and Elliot and did alterations of their own, including building the female lead.

Casting

Johnny Depp in a film premiere.

Geoffrey Rush in a festival.

Kevin McNally.

Top to bottom: Johnny Depp, Geoffrey Rush, and Kevin McNally who reprised their roles from the previous films as Captain Jack Sparrow, Captain Hector Barbossa, and Joshamee Gibbs respectively.

Depp signed on to return as Captain Jack Sparrow in September 2008, saying that he would come back if the script was good. Almost a year later, Disney announced that Depp would be paid $55.5 million for his role, realizing that without him the franchise would be "dead and buried. Geoffrey Rush expressed interest in returning to his role as Barbossa, and Bruckheimer later confirmed his presence. Rush was positive on Barbossa having lost a leg, as he considered the disability made him "angrier, more forceful and resilient as a character", and had to work with the stunt team for an accurate portrayal of the limp and usage of crutch, particularly during sword fighting scenes. While the production team considered a prop pegleg to be put over Rush's leg, the tight schedule caused it to be replaced with a blue sock that was replaced digitally, with a knob on the shoe to give Rush a reference for his walk. Three other actors from the previous films returned, Kevin McNally as Joshamee Gibbs, Greg Ellis as Lt. Theodore Groves, and Damian O'Hare as Lt. Gilette. Keith Richards also had a cameo, reprising his role as Captain Teague from At World's End; he and Depp tried to persuade Mick Jagger to audition for the part of a pirate elder. Previous cast members Orlando Bloom (Will Turner) and Keira Knightley (Elizabeth Swann) stated that they would not reprise their roles, as they wanted to be involved in different films. They both thought the storyline involving their characters had gone as far as it could. On August 1, 2009, Bill Nighy expressed his desire to return as Davy Jones, who died in the previous film, citing a possibility to resurrect the character, but at the end, his inclusion was scrapped. On February 5, 2010, Mackenzie Crook also announced he would not be reprising his role of Ragetti, stating, "They haven't asked me. But actually I don't mind that at all. I'm a fan of the first one especially and I think the trilogy we've made is great. I'd almost like them to leave it there.

New cast members include Ian McShane, who plays the notorious pirate and primary antagonist of the film, Blackbeard, and Penélope Cruz, who plays Angelica, Jack Sparrow's love interest. According to Marshall, McShane was chosen because "he can play something evil but there's always humor behind it as well" and the actor accepted the job due to both the "very funny and charming" script and the opportunity to work with Marshall. The beard took one hour and a half to get applied, and McShane likened the character's costume to "a real biker pirate—it's all black leather. Marshall said Cruz was the only actress considered for the role, as she fit the description as "an actress who could not only go toe to toe with Johnny and match him, but also needed to be all the things that Jack Sparrow is in a way. She needed to be funny and clever and smart and crafty and beautiful", and invited her for the role as they wrapped the production of Nine. The actress spent two months working out and learning fencing for the role. Cruz was pregnant during filming, leading the costume department to redesign her wardrobe to be more elastic and the producers to hire her sister Mónica Cruz to double for Penélope in risky scenes. Depp recommended Stephen Graham, who worked with him in Public Enemies, to play Scrum, a Machiavellian pirate and sidekick to Jack Sparrow, and Richard Griffiths for the role of King George II, as Depp was a fan of Griffiths' work on Withnail and I. Sam Claflin, a recent drama school graduate with television experience, was chosen to play the missionary Philip, and British actor Paul Bazely also joined the cast. Spanish news website El Pais reported that the film had four Spanish actors: Cruz, Àstrid Bergès-Frisbey, Óscar Jaenada, and Juan Carlos Vellido. Jaenada was picked for both his work in The Losers and a recommendation by Cruz.

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Casting for mermaids required the actresses to have natural breasts—no implants. As Bruckheimer explained to EW, "I don't think they had breast augmentation in the 1700s. So it's natural for casting people to say, 'We want real people. Marshall invited Spanish-French actress Àstrid Bergès-Frisbey to play Syrena after seeing her in a French magazine article on up-and-coming actresses. Bergès-Frisbey had to take lessons of English, swimming and breath control for the role. The rest of the mermaid portrayers, such as Australian supermodel Gemma Ward, were chosen for having "exotic sense, an otherworldly sensibility, but also under those layers a deadly quality", according to Marshall, and had to take swimming lessons to learn movements such as the dolphin and eggbeater kicks.

Filming

Principal photography began on June 14, 2010, in Hawaii. Filming was moved to California in August 2010, primarily at the Long Beach shore and a recreation of Whitecap Bay done in the Universal Studios backlot, as the original Hawaiian location on Halona Cove was plagued with strong tides. After a brief shoot in Puerto Rico, with locations in both Palomino Island and the Fort of San Cristóbal in San Juan, production moved to the United Kingdom in September, where principal photography wrapped on November 18 after 106 days of shooting. Locations included Hampton Court Palace in London, Knole House in Kent, and Old Royal Naval College at Greenwich. Interiors were shot at London's Pinewood Studios, and a replica of an 18th-century London street was built on the backlot alongside the soundstages. The producers also considered using New Orleans as a location. In October, security was breached at the UK site when a celebrity impersonator gained access to filming at the Old Royal Naval College by dressing up as Captain Jack.

After the joint production of Dead Man's Chest and At World's End cost over $300 million, Disney decided to give a lower budget to the fourth installment. Many costs had to be cut, including moving primary production to Hawaii and London, where tax credits are more favorable, and having a shorter shooting schedule and fewer scenes featuring special effects compared to At World's End. The tighter schedule—according to Bruckheimer, "We had a 22-week post, and for a picture like this, with almost 1,200 visual effects shots, it's usually 40 weeks"—meant that Marshall supervised editing of sequences during filming. The British financial statements of the film revealed total expenditures of £240.7 million ($410.6 million) by 2013, with Disney receiving a rebate of $32.1 million from the British government, making Pirates of the Caribbean: On Stranger Tides the most expensive film ever made to date.

Bruckheimer said the decision to film in 3D was made due to its being "immersive filmmaking; I think it makes you part of the actual filming because you're part of the screen." Bruckheimer described it as the first major "exterior movie" to be shot in 3D, as Avatar was mostly done in sound stages. At first Marshall was not much interested in 3D, but the director eventually considered it a film that could benefit from the format. "You are on an adventure and with the 3D experience you are inside that adventure. While the original plan was to add 3D effects during post-production, the decision was made to shoot digitally with 3D cameras. Only one sequence was shot conventionally and needed a 3D conversion. The cameras were improved versions of the ones James Cameron developed for Avatar, which were made more compact for extra mobility. This meant the cameras could be brought into locations such as the Hawaiian jungle.

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Queen Anne's Revenge was built atop Sunset, the same ship used to depict Black Pearl in previous installments. In February 2010, Sunset was sailed from Long Beach to a shipyard in Hawaii for the reforms, where a big concern was to make it imposing, with three stories, without sacrificing actual seakeeping. Given Blackbeard was meant to be the meanest pirate to appear in the series, the look for Queen Anne's Revenge was ominous, with sails dyed blood red, various elements on fire, and a decoration based on skulls and bones (drawing inspiration from the Sedlec Ossuary in Czech Republic). Damage from cannon fire was also added to show that "not only Blackbeard was a dying man, but his ship is also a dying ship". The ship's figurehead also drew inspiration from Blackbeard's pirate flag.[66] The replica ship HMS Surprise was used for Barbossa's ship, HMS Providence, and all the scenes aboard Providence were shot on the Long Beach shore as Surprise could not be sailed to Hawaii. Over 50 designs were considered for the Fountain of Youth, with the final one representing a temple built by an ancient civilization around the Fountain, which itself was located in a round rocky structure to represent "the circle of life". The locations leading up to the Fountain were shot in the Hawaiian islands of Kauai and Oahu, but the Fountain itself was built at the 007 Stage on Pinewood.


Toy Story 4 Animation Movie Review And Information

Toy Story 4 Animation Movie Review And Information

Toy Story 4 is a 2019 American computer-animated comedy-drama film produced by Pixar Animation Studios for Walt Disney Pictures. It is the fourth installment in Pixar's Toy Story series and the sequel to Toy Story 3 (2010). It was directed by Josh Cooley (in his feature directorial debut) from a screenplay by Andrew Stanton and Stephany Folsom; the three also conceived the story alongside John Lasseter, Rashida Jones, Will McCormack, Valerie LaPointe, and Martin Hynes. Tom Hanks, Tim Allen, Annie Potts, Joan Cusack, Don Rickles, Wallace Shawn, John Ratzenberger, Estelle Harris (in her final film role), Blake Clark, Jeff Pidgeon, Bonnie Hunt, Jeff Garlin, Kristen Schaal, and Timothy Dalton reprise their character roles from the first three films, and are joined by Tony Hale, Keegan-Michael Key, Jordan Peele, Christina Hendricks, Keanu Reeves, and Ally Maki, who voice new characters introduced in this film. Set after the third film, Toy Story 4 follows Woody (Hanks) and Buzz Lightyear (Allen) as the pair and the other toys go on a road trip with Bonnie (Madeleine McGraw), who creates Forky (Hale), a spork made with recycled materials from her school. Meanwhile, Woody is reunited with Bo Peep (Potts), and must decide where his loyalties lie.

Talks for a fourth film began in 2010, and Hanks stated that Pixar was working on the sequel in 2011. When the film was officially announced in November 2014 during an investor's call, it was reported that the film would be directed by Lasseter, who later announced it would be a love story, after writing a film treatment with Stanton, and input from Pete Docter and Lee Unkrich, while Galyn Susman would serve as the producer. Cooley was named co-director with Lasseter in March 2015, while Pixar president Jim Morris said it was not a continuation of the third film, who described the film as a romantic comedy. In July 2017 at the D23 Expo, Lasseter was stepping down and leaving Cooley as the sole director. Despite this, Lasseter still retained writing credits. New characters for the film were announced between in 2018 and 2019 along with new cast members. Composer Randy Newman returned to score the film, marking his ninth collaboration with Pixar. The film is dedicated to Don Rickles (the voice of Mr. Potato Head) and animator Adam Burke, who died in 2017 and 2018, respectively.

Toy Story 4 premiered in Hollywood, Los Angeles, on June 11, 2019, and was released in the United States on June 21. It grossed $1.073 billion worldwide, becoming the eighth-highest-grossing film of 2019 and is the highest-grossing film in the franchise, marginally surpassing Toy Story 3. Like its predecessors, the film received acclaim from critics, with praise for its story, humor, emotional depth, musical score, animation, and vocal performances. The film was nominated for two awards at the 92nd Academy Awards, winning Best Animated Feature, and received numerous other accolades. A sequel is in development.

Between the second and third films, Woody and Bo Peep rescue Andy's remote control car, RC, from being washed away in a storm, before Bo and her lamp are donated to a new owner. Distraught, Woody tries to rescue her, but Bo has accepted her fate as part of a toy's life. Woody attempts to go with her, but realizing that Andy still needs him, he shares a heartfelt goodbye with Bo and stays.

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Many years later, after a college-bound Andy has donated his toys to Bonnie, Woody struggles to adapt as Dolly acts as the leader in Bonnie's room, and Bonnie shows little interest in playing with him. Remaining convinced that Bonnie needs him, Woody sneaks into her backpack the day of her kindergarten orientation. When another child steals Bonnie's art supplies, Woody leaves objects from the trash on Bonnie's table. Bonnie creates a doll from a spork and other materials, naming him Forky. Forky comes to life, but suffers an existential crisis, seeing himself as trash, not a toy. As Forky quickly becomes Bonnie's new favorite toy, Woody repeatedly has to stop him from throwing himself away.

When Bonnie's family goes on a road trip, Forky jumps out the window of the RV, and Woody does the same. As they walk to the RV park, Woody convinces Forky that his place is with Bonnie, and Forky overcomes his existential crisis. As they pass an antique store's window, Woody recognizes Bo Peep's lamp, and detours inside to find her. They encounter a talking doll named Gabby Gabby and her ventriloquist dummy friends, who try to take Woody's voice box to replace Gabby's broken one. Woody escapes the store, though Forky does not. At a playground, Woody reunites with Bo Peep and her sheep, who have become "Lost Toys", free from any owners and able to do as they please, along with their new friend, a miniature police officer toy named Giggles McDimples, and they agree to help Woody rescue Forky.

Buzz Lightyear, trying to find Woody, gets lost in a carnival and becomes a game prize, but escapes with plush toys Bunny and Ducky. They meet up with Woody and Bo, who leads them to a hangout inside a pinball machine, where they find Canadian stunt bike toy Duke Caboom. They attempt to rescue Forky by jumping across the aisle to the cabinet, only to nearly get killed by the store owner's cat. The toys argue about going back, and Woody, desperate to be important to Bonnie, inadvertently insults Bo by saying "Lost Toys" cannot understand loyalty. He is left alone to rescue Forky, but when he confronts Gabby, she explains to him she has wanted a child's love her entire life. Woody sympathizes and gives her his voice box on the condition Forky is released.

As Woody and Forky leave, they see Gabby callously rejected by Harmony, the store owner's granddaughter. Woody leaves Forky and convinces Gabby to come back to Bonnie's house with him. Bo, Caboom, McDimples, Bunny and Ducky return (after Bo realizes that Woody is loyal so that Bonnie can be happy), and help the pair escape to the fairgrounds. Jessie, after Forky informs her of the situation, rallies Bonnie's toys to take over the RV controls and drive it to the fair. As Woody's group approaches the RV, Gabby notices a lost little girl and stops to comfort her. The little girl is found by her parents and keeps Gabby as her toy.

Woody and Bo Peep prepare to leave each other again, but Buzz assures Woody that Bonnie is okay without him, and that he can stay with Bo as a "Lost Toy" along with McDimples, Caboom, Ducky and Bunny. Woody gives his badge to Jessie and his friends share an emotional goodbye with him before leaving with Bonnie. In an epilogue, the "Lost Toys" travel with the carnival to help prize toys find owners, and Bonnie creates a companion for Forky from a plastic knife.

In 2010, Toy Story 3 director Lee Unkrich said that Pixar was not planning another Toy Story film, saying, "It was really important to me with this film that we not just create another sequel, that it not just be another appendage coming off of the other two there may be opportunities for Woody and Buzz in the future, but we don't have any plans for anything right now. Tom Hanks and Tim Allen had tentatively signed on to reprise their roles of Woody and Buzz; Hanks stated the following year that he believed Pixar was working on a sequel. Rumors arose that Toy Story 4 was in production and slated for release for 2015, but Disney dismissed these rumors in February 2013.

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Disney officially announced Toy Story 4 during an investor's call on November 6, 2014. Then-studio head of Pixar John Lasseter, who directed the first two films and executive-produced the third, was scheduled to direct after writing a film treatment with Andrew Stanton, with input from Pete Docter and Unkrich. Rashida Jones and Will McCormack joined as writers, with Galyn Susman returning as a producer from Ratatouille. Lasseter explained that Pixar decided to produce the sequel because of their "pure passion" for the series, and that the film would be a love story. Producer Jonas Rivera was convinced that the franchise had its focus on Woody, despite Toy Story 3 concluded the story arc between Woody and Andy. Lasseter also felt that never even talked about doing another Toy Story film. But when Andrew, Pete, Lee and I came up with this new idea, I just could not stop thinking about it.

In March 2015, Pixar president Jim Morris described the film as a romantic comedy and said it would not be a continuation of the third film. The same month, Variety reported that Josh Cooley was named co-director with Lasseter, having previously been head of story on Inside Out. According to Lasseter, the film was kept so secret that even Morris and his boss Edwin Catmull had no knowledge of it until the treatment was finished. He stressed that "we do not do any sequel because we want to print money" but rather to tell a new story. Cooley later revealed that development of a fourth film had actually begun shortly before the release of the third film.

During the 2017 D23 Expo, Lasseter announced he was stepping down and leaving Cooley as sole director, saying he could no longer commit to directing the film between his positions at Pixar, Walt Disney Animation Studios, and Disneytoon Studios. Jones and McCormack withdrew in November 2017, citing "philosophical differences.

By January 2018, Disney had confirmed that the screenplay was being written by Stephany Folsom, who eventually rewrote three quarters of Jones and McCormack's original script, according to Annie Potts. Folsom collaborated on the screenplay with Stanton, who had co-written the first two films. According to Cooley, the center of the film's updated screenplay was around the relationship of Woody and Bo Peep. Bo Peep had been absent in Toy Story 3, explained narratively as Bo Peep having been given away. This had set the stage for the conclusion of the third film, with Woody getting the idea to give Andy's toys to Bonnie. Cooley said that when they thought about bringing Bo Peep back in the fourth film, it was not only to rekindle the romantic interest between Woody and Bo Peep. Bo Peep's becoming a lost toy also reflects a fear Woody has had through the series, and challenges his world view. By September 28, 2018, recording for the film had begun. Allen said that the film's story was "so emotional" that he "couldn't even get through the last scene. Similarly, Hanks called the film's ending scene a "moment in history. On January 30, 2019, Hanks and Allen finished recording their characters' voices.

Tony Hale, Keanu Reeves, Christina Hendricks, Keegan-Michael Key and Jordan Peele voice new characters in Toy Story 4.

Most of the previous voice actors, including Hanks and Allen, signed on to reprise their roles. Hanks stated in May 2016 that he had recorded his first lines for Woody. Potts was confirmed to return as Bo Peep, after being absent from Toy Story 3. Potts was told by Pixar's then chief creative officer John Lasseter that her character's absence in the third film was attributed to them saving her for the fourth. Don Rickles intended to reprise his role as Mr. Potato Head, but died in April 2017, before any lines were recorded as the script was still being rewritten. According to Cooley, Rickles' family contacted Pixar to search ways for his inclusion in the film. Pixar reviewed 25 years of archival material that Rickles had participated in, including unused lines from the first three Toy Story films, video games and other related media for the franchise, and other works, and repurposed them for use within the film.

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Tony Hale was cast as Forky, a homemade toy suffering an existential crisis. Hale has performed roles before with similar panicked characters, including Buster Bluth on Arrested Development and Gary Walsh on Veep. When asked to voice Forky, Hale said, "A utensil's existential crisis? I'm in! Keegan-Michael Key and Jordan Peele were cast as a pair of carnival prize plush toys named Ducky and Bunny. Cooley said that while they brought them on to provide some improvised comedy to the film, "they were story motivated which elevated Ducky and Bunny and the film to a level I never could have expected. Additionally, Keanu Reeves was announced to be voicing a character in the film named Duke Caboom. Reeves said he was contacted by Pixar, much to his surprise, with the intention of voicing the part and letting him develop the character's verbal mannerisms. On March 22, 2019, Madeleine McGraw, who had previously voiced Maddy McGear in Pixar's Cars 3, was revealed to be voicing Bonnie, who was voiced by Emily Hahn in the previous film and other works. Comedians Carol Burnett, Mel Brooks, Carl Reiner, and Betty White were added to the cast to voice a set of four toys that Bonnie played with as a toddler but had since outgrown, acting as "veteran" toys to help Woody prepare for when the same happens to him.

Toy Story 4 grossed $434 million in the United States and Canada, and $639.4 million in other territories, for a worldwide total of $1.073 billion. It was the eighth-highest-grossing film of 2019. The film had a worldwide opening of $244.5 million, the biggest for an animated film at the time. It crossed the billion dollar mark on August 13, 2019, becoming the 43rd film as well as the fourth Pixar film to ever do so. It was also the fifth film released by Disney in 2019, and sixth overall, to cross the milestone, both records for a single year. Deadline Hollywood calculated the film's net profit as $368 million, accounting for production budgets, marketing, talent participations, and other costs; box office grosses and home media revenues placed it sixth on their list of 2019's "Most Valuable Blockbusters".

In the United States and Canada, on May 28, 2019, Toy Story 4 set the records on Fandango for most tickets sold by an animated film in its first 24 hours of pre-sales (besting Incredibles 2), while Atom Tickets reported it sold nearly 50% more than the previous three highest-selling animated films combined did in their first day (Incredibles 2, Ralph Breaks the Internet, and Hotel Transylvania 3: Summer Vacation). Released alongside Child's Play and Anna on June 21, 2019, Toy Story 4 played in 4,575 theaters, the second-most all-time behind Avengers: Endgame. Toy Story 4 made $47.4 million on its first day, including $12 million from Thursday night previews, the second-highest amount for an animated film, behind Incredibles 2. It went on to debut to $120.9 million. Although below projections, executives at Disney were satisfied with the debut, since it continued Pixar's "remarkable consistency" at the box office and showed "proof of audiences' long-time love for the Toy Story franchise. Additionally, it was the best opening of the series, the biggest for a G-rated film and the fourth-highest of all-time for an animated film. The film opened in the number #1 spot and retained the top position at the box office the following weekend, but it was dethroned by Spider-Man: Far From Home in July. Its second weekend saw the box office drop by 51% to $59.7 million, and Toy Story 4 grossed another $34.3 million the following weekend. In August 2019, the film surpassed the traditionally animated version of The Lion King (1994, $422 million including re-releases), which held the title for the last 25 years (1994–2003 and 2011–2019) to become the highest-grossing G-rated film of all-time domestically. It ended up being the fifth highest-grossing film of 2019 in this region.

In other territories, the film opened day-and-date with the U.S. in 37 countries (64% of its total market), and was projected to gross around $100 million abroad for a global debut of $260 million. In China, where the film opened alongside a re-release of Spirited Away (2001), it was expected to debut to $15–20 million. Through September 2, 2019, the film's largest markets were Japan ($90.1 million), the United Kingdom ($79.9 million, third highest all-time for an animated film), Mexico ($72 million), Brazil ($32.5 million), France ($29.2 million), China ($29.1 million), Argentina ($28.9 million), Australia ($28.9 million), and South Korea ($24.7 million).

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Critical response

On review aggregation website Rotten Tomatoes, the film holds an approval rating of 97% based on 459 reviews, with an average rating of 8.3/10. The website's critics consensus reads, "Heartwarming, funny, and beautifully animated, Toy Story 4 manages the unlikely feat of extending – and perhaps concluding – a practically perfect animated saga. Metacritic, which uses a weighted average, assigned the film a score of 84 out of 100 based on 57 critics, indicating "universal acclaim". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, and 89% of those at PostTrak gave it a positive score, with 75% saying they would definitely recommend it.

The film received a four-star rating from Matt Zoller Seitz of RogerEbert.com, who wrote "This franchise has demonstrated an impressive ability to beat the odds and reinvent itself, over a span of time long enough for two generations to grow up in. It's a toy store of ideas, with new wonders in every aisle. The Washington Post's Ann Hornaday also gave the film four out of four stars and praised its "visually dazzling concoction of wily schemes and daring adventures", as well as achieving "a near-perfect balance between familiarity and novelty, action and emotion, and joyful hellos and more bittersweet goodbyes. Peter DeBruge of Variety wrote "Toy Story ushered in the era of computer-animated cartoon features, and the fourth movie wraps up the saga beautifully. At least, for now. The Daily Telegraph's Robbie Collin wrote "Toy Story 4 reaffirms that Pixar, at their best, are like no other animation studio around.

Writing for IndieWire, David Ehrlich gave the film a grade of B+ and wrote "Clever, breathless, and never manic just for the sake of keeping your kids' eyes busy, the action in Toy Story 4 is character-driven and paced to perfection. Peter Travers of Rolling Stone, who gave the film four-and-a-half stars out of five stars, praised its "visual pow, pinwheeling fun and soulful feeling" and lauded the voice performance of Tony Hale as Forky. Joe Morgenstern of The Wall Street Journal said that "the new film isn't flawless, but it's hugely enjoyable and speaks, with bewitching buoyancy, to nothing less than the purpose of living and the mystery of life. While Peter Rainer of The Christian Science Monitor wrote that the film did not put him "through the emotional wringer the way its predecessor did," he still gave it a grade of A- and said "it's consistently inventive, funny, witty, and heartfelt. In other words, it's a lot better than it has any right to be. It's more than good enough to justify its existence.

Conversely, Kyle Smith of National Review called the film "the weakest effort in the series so far", finding its subject matter was unclear and the motives of the characters opposed and undermined the series' previous installments. He further critiqued the film for prioritizing its comedy while the story's underlying themes were "tossed out haphazardly without much follow-through", saying "It may be an essential element of Disney's corporate strategy, but as a film it's forgettable.

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Tom Hanks as Woody

Tim Allen as Buzz Lightyear

Annie Potts as Bo Peep

Tony Hale as Forky

Keegan-Michael Key as Ducky

Jordan Peele as Bunny

Madeleine McGraw as Bonnie

Christina Hendricks as Gabby Gabby

Keanu Reeves as Duke Caboom

Ally Maki as Giggle McDimples

Jay Hernandez as Bonnie's dad

Lori Alan as Bonnie's mom

Joan Cusack as Jessie

Wallace Shawn as Rex

John Ratzenberger as Hamm

Blake Clark as Slinky Dog

Don Rickles as Mr. Potato Head

Estelle Harris as Mrs. Potato Head (final film role before her death in 2022)

Jeff Pidgeon as Aliens

Bonnie Hunt as Dolly

Kristen Schaal as Trixie

Timothy Dalton as Mr. Pricklepants

Jeff Garlin as Buttercup

Emily Davis as Billy, Goat, and Gruff

John Morris as Andy

Jack McGraw as young Andy

Laurie Metcalf as Andy's mother

June Squibb as Margaret

Carl Weathers as Combat Carl

Maliah Bargas-Good as Lost Girl

Juliana Hansen as Miss Wendy

Steve Purcell as Benson and The Dummies

Lila Sage Bromley as Harmony

Mel Brooks as Melephant Brooks

Carol Burnett as Chairol Burnett

Betty White as Bitey White

Carl Reiner as Carl Reineroceros

Alan Oppenheimer as Old Timer

Patricia Arquette as Harmony's Mother

Bill Hader as Axel the Carnie

Flea as the Duke Caboom commercial announcer

Melissa Villaseñor as Karen Beverly

Rickey Henderson as an Oakland Athletics bobblehead figure